Friday, June 28, 2013

The American (surfer's) Dream: Dominical, Costa Rica

Dominical, Costa Rica
        
           When my girlfriend suggested I go to Iceland with her I scoffed, "I don't want to go to a cold island full of white people."  It was a stupid and narrow answer, and I was punished with the discovery that I was among the throngs of white tourists in Costa Rica.  I left Manuel Antonio National Park hoping to escape some of them and to meet my friend John in a small beach town called Dominical. 
            The bus was full of local Ticos (a term for Costa Ricans) when I arrived in Dominical, but nobody else got off.  The town consisted of two dirt roads full of restaurants, bar and surf shops.   Muddy water filled rutted ditches in the middle of the dirt roads.  The beach featured signs prohibiting swimming because of rip tides. I was halfway hopeful that this was the real Costa Rican culture I was looking for.
Tortilla Flats was the only bar in town with its lights on.  It was open-air with a long roof made of lacquered bamboo covered by tin.  A line of palm trees separated it from the beach, where a gray curtain limited the depths of the Pacific horizon and issued a coming storm. The waves emerged from the curtain and grew to more than ten feet tall and then broke hard.   When the storm began the only thing louder than the thunder were the coconuts that the wind punched from their perch in the palm trees then fell against the tin roof like gunshots.  Blue crabs and stray dogs scrambled for cover in the bar when the rain began.   A howler monkey watched between dry rails of a wooden staircase.  Five televisions showed the Braves and Giants baseball game.  The bar was full of white people with American accents.
I sat at the bar watching the game and taking notes.  Bumbarner was hitless through five innings.  I talked to the Americans at the bar thinking they were tourists, but they were residents. And they had all moved here to surf.  Steve had lived here for four years and worked at the bar; James had lived here nine years and worked at the surf shop; Rich moved here seven years ago and now ran the only dive shop in town.   I sat between Rich and Johnny, an older man in glasses who wore a fisherman's hat that he said made him look like a “wanker.”  He believed that people were ruining the world and their own miserable lives unless we allowed a philosopher king to rise up to lead us. And that Google, too, needed to hire philosophers. When I asked him where he was from he stared off  into the storm.  Intermittent lightning illuminated the ocean and its monstrous waves appeared as if frozen in their breaks, large watery monsters foaming at the lips with whitewash, before the ocean went black and the dark was followed by the crash of those waves and the flickering of power in the bar.
“I guess I’m a South Pacific Scot,” he said. “I could say I’m from Planet Earth but that answer is too far out there for some people.”
I asked him why he moved here.  Again he stared off, a drunk philosopher, into the Pacific storm for another ten seconds.  He gave me a complicated answer but the truth came out eventually: to surf.  Johnny and Rich both told me their histories.  They were  long, multi-chapter stories, like those of traveling beach-dwelling hermits, living on the shores, captainin boats across foreign seas, avoiding their familes, farming, working, but mostly chilling.  Each destination was described as a whimsical stepping stone that led them to here, Dominical, Costa Rica, the fantastical reward for their go-with-the-flow lives. They never talked about the idea of a next destination.  They had arrived at their dream. 
"The key to good health, to life," Johnny said, "is to shoot away five times a week." 
 "Shoot off?" I asked.
 "He means to get off, you know, ejaculate," interjected Rich, now eating a second dinner after a long work day.
"All my friends with prostate cancer, didn't shoot away enough," Johnny said. I told him I never had a privacy in Costa Rica since I was traveling.  
 "Then sneak off to the bushes. That's what I do when my girlfriend doesn't satisfy me enough."
An hour later I watched Johnny pretend to slink off towards the bushes. From under the trees, he winked at me, a beer in one hand a box of food in the others. Then he shuffled the items into one hand and got into his truck.  He attempted to back up five times between the palms before successfully driving away into the rain. The game flickered on and off.  Bumbarner lost his no-hitter but the Giants won 6-0.   Then the power went out with a clap of thunder and a few seconds later the lightning lit up the waves, and this time they seemed bigger, as if high tide might soon swallow all the bar. I could not imagine surfing them.
The next day John and I went surfing.
My first-time surfing, in Ecuador, I caught two waves.  It was a feeling unlike others, riding water, participating in nature by joining its current, being weightless, and no word could describe it except…cool, but not cool as a descriptor but as a feeling.   I understood, in that fraction of an experience, why surfers like Rich and Steve and Johnny pursued the life.  But I never caught another wave again.  I only ever rode the whitewash.  After three hours of being battered around and sucking in saltwater I quit for the day and went to read my book in the hammock.
At sunset I returned for the view. I sat on a log of driftwood and watched the sun go down in a myriad of warm colors. Iguanas and crabs scampered along the beach and a couple monkeys hung around the palm trees. The large waves bounced clouds of mist against the sand and sent them upward, suspended in the air then disappearing into the remaining stretch of blue sky.  All the best surfers were out with their boards, as they had likely went twice every day, at dawn and dusk.  I saw Steve and James and even several Ticos.  They carved and cut and stalled. They trimmed their way through barrels and turned against the lips of the breaks and then out again.  They jumped and spun and switched positions with ease.  They were very very good.  And as the sun set a few came in, but the best stayed out, until it was dark and they appeared like dimming shadows against the waves, refusing to get off their boards and come ashore.
The next day I tried again. But the waves were bigger. It was high tide and instead of sand I was surfing over rock so I decided to quit for the sake of my health.  On my way back I saw a local Tico running toward the water with his board.  He had dark skin and long dark hair that blew behind him in the wind, an iconic profile of a native surfer, headed for the waves.  His face was plain until he got into the water and splashed against the first small wave.  Then, still standing, he threw back his head, whipped his hair, and laughed at the sun.  This is what he lived for.  The next wave. To get his legs off the land and ride the water.   To me, the life seemed like it could be dull, the same thing everyday, but for the surfer, the life is as different as each wave, each moment renewed by the next set of breaks, as they lay in wait on their boards for the perfect wave to join. This was the dream, like Johhny and Rich’s dream, attainable here on nature’s rich coast of Costa Rica. But it was a specific dream; it was a surfer’s dream.
When the Tico saw me watching him, he stopped whipping his hair and his face went plain again,  Then he tucked his board against his chest, duck-dived under the oncoming break, and paddled out where the other surfers waited on their boards.

Dominical, Costa  Rica




Wednesday, June 19, 2013

Relax... It's Costa Rica

Punta Cateral, or the tobolo, in Manuel Antonio National Park, Costa Rica
     The day before I left for Costa Rica I realized I didn't know where I was going the first night.  I was victim of my oblivion again, my inability to forecast anything whatsoever in my life that required choice.  I had gotten my vaccinations and read the State Department warnings, (Nicaragua has been land-mine free for 3 years now!) but forgot to plan a damn thing.  I had 44 days to get to Mexico City.  That is all I knew.
     I messaged my friend, John, who lived in San Jose, three times to ask for his address.  I was worried.  Americans worry.  But Costa Ricans don't.  John replied he would "send somebody for me."  And if that person didn't come, I should take a taxi to San Pedro Mall and wait in the food court.  For who?  I felt like he was batman, and I could never find him, but somehow, maybe, he would find me.
          Worry was something that was new to me at 27.  And I don't deal with it well.  And this makes me worry more.  I worry about choices: should I move to New Orleans; should I change jobs; and which tomato sauce should I buy at the store, should I buy organic, or save a buck, or does it really matter?  Every decision represents an alternative choice, and I can never know which one is better because I can't experience both simultaneously, time won't let me go backward and choose again, and again, and again.  Time is the dirtiest of bastards.  But three years ago I didn't worry.  I was traveling in Ecuador.  I was jumping off things even though my mother told me I'd break my neck. I jumped off bridges, boats, into waterfalls.  I hopped onto buses unsure where I wanted to go or where I'd spend the night. I ate guinea pig and chicken feet and cow heart from dirty street grills.  I never thought twice about it.  What happened?  What is this feeling....is this what my parents always encouraged...is this...dear god...is this maturity?!  
         I hated the idea and so I before I left the airport I bought a bottle of rum at the duty-store free.  When I left security a man stood with a sign, "Sam Nelson."  His name was James Brown, and he was an older, black man who grew up on the Carribean coast.  He spoke Spanish nice and slowly, and everything he did was relaxed except his driving.  He threaded his taxi between trucks and cars at fast speeds on the highway.   He treated several red stoplights as if they were suggestions.  And he taught me pedestrians have no right of way.  He almost hit three of them.  I loved James Brown, and was tempted to hug him instead of pay him, but I knew he would not have wanted it that way.  
           I also learned there were no postal addresses in Costa Rica. There were street numbers nobody knew of because only recently did the capital city start to post signs.   
          "When I get mail, which is almost never, it says I'm two blocks from here and 1 block from over there," John told me. 
       I relaxed.   I had arrived safely.  I was in Costa Rica, the beginning of a two month dream vacation.  But I quickly found other things to worry about. Why hadn't I planned  anything?  Did I pack too many sets of pants? Why wasn't I traveling with my girlfriend in Iceland or Spain or, hell, why not Fiji?! Had I robbed myself of novelty by returning to Latin America?  Why had I quit a good job?  Did I have enough money? What about socks...god, I hate wet socks, did I have enough socks? And why were there so many prostitutes here? Everywhere, a prostitute.  Every question represented a choice, every choice a right and eight wrong answers. Was I on the right track here?  I thought I was...but there were just too many hourly hotels to confirm it.  
         I thought about these things and many more, all the way to the Pacific coast.  Even in my first walk in Manuel Antonio National Park I worried. I was distracted briefly by a green vine snake eating a poisonous milk frog ten times its diameter.  It suffocated the frog by swallowing its face.  I wondered if it would be able to swallow it whole, and decided it would.  Snakes don't second-guess.  Then the frog stopped moving and I resumed my walk and started worrying again.  And why was I so worried?  This, especially, worried me.  I worried I would be full of worry all the way back home and have nothing to say for it.  
        Then the beach confronted me.  Natural beauty has a way of challenging you, but each natural beauty is unique in its confrontation, its arrest of your vision and perspective requiring immediate attention to the details that make it so magnificent and different than all other places on Earth.  Manuel Antonio is special because of its wildlife, but also because it contains a geographical rarity, a tobolo--where the ocean waves deposit enough sand from two directions to thinly connect the mainland with a nearby island, creating a formation that, from above, looks a like a spoon with beaches on both sides of the handle. 
       I stared at the Pacific Ocean.  It went on forever.  If there was an end to it, I saw no evidence.   It is so vast and blank and permanent, it feels as if it has never changed and never will, only the land that meets it will change, and because of this, it feels as if it has no past.  Staring into it, I felt the same quality reflected in myself; I forgot my own past, the mirage of myriad missed choices, all the other places I could have been right now.  
      I swam.  The undercurrent was strong but the water was shallow, and I felt all my worry wash away in it.  I sat down in the waves and looked at the tropical beach bowl surrounding me, small cliffs delineated with palm and manzanillo trees, a bright sun, warm moving water.  I got out of the waves and hiked to the tip of the spoon.  I saw howler monkeys, dozens of chicken of the tree lizards scattering under my bare feet, and a two-foot black iguana sun-bathing at low tide, and then I swam again, on the other side of the tobolo.  
      I found shade on the shore under the toxic manzanillo tree, reading Malcolm Lowry's Under the Volcano but really just listening to the cicadas and a pair of Laughing Falcons squawking at each other, and the waves washing up, not even caring to think about how far the water traveled to get here, as I often like to do.  I was on a tropical beach in Costa Rica. I hadn't forgotten all my worries, but they had lost their weight.  It was beautiful and bright and full of life, and I felt like the vine snake, its fangs in the milk frog; there could be no second-guessing here.
Manuel Antonio National Park, Costa Rica
Green Vine Snake eating a Milk Frog in Manuel Antonio National Park, Costa Rica


Black Iguana, Manuel Antonio National Park, Costa Rica


Part of the hiking trail in Manuel Antonio National Park, Costa Rica



Chicken of the Tree Lizards (I think) in Manuel Antonio National Park, Costa Rica

If you think this is a trip for young people, please note that Steve is not young, but traveled
from Belize to Costa Rica on his own in 5 months time.  We found ourselves in the same place, going in
opposite directions. 
         



Tuesday, June 4, 2013

2nd Lining after Mother's Day Shooting; Celebrating Life and Culture in New Orleans


The rescheduled Original Big 7's Mother Day Second-line at Frenchmen and Villere, sight of the shooting.
Photo courtesy of Alex Turvy.  
The streets leading to Villere and Frenchmen are like many in the 7th ward of New Orleans.  Well-kept creole cottages mix with vacant lots and houses, boarded up since Katrina and swallowed by swaths of cat’s claw vine that overtake the roofs and kill native plant life.  On the 1200 block of Frenchmen, though, a resident, Julius, who lives in a cream-yellow double-shotgun home had put 7 flags up on telephone poles, each adorned with a white and red star and the word, “Welcome.”
            A block away, on May 12th, 2013, 19 men and women were shot at Villere and Frenchmen by a teenager during The Original Big 7’s Mother Day second-line  that started only a half hour earlier on Elysian Fields Avenue.
            Two days later The New York Times ran the article, “Celebrating, In Spite of Risk,” and politely asked if second-lines invited violence, a question that’s been asked before.
            A few hundred people gathered at the place of the shooting to hold vigil for the victims and to answer the question together—No.   Mayor Landrieu led the vigil and told the Times, “The layers of this thing are really important, and that’s to understand what the origin of the violence is, what it’s connected to and what it’s not connected to.” 
            Second-lines are like parades and have not been affected by gun violence for a few years now, but they have long expressed a traditionally thin line between life and death in New Orleans, a line that every resident and native walks in their lives and understands, more so because of guns and hurricanes.   A second-line is mobile, a people’s parade, a party.  The first line is the band and the people that follow—drinking, smoking, dancing—are the second-line.  The band, in essence, “rings the (cow)bells” through the narrow streets of poor neighborhoods and people come out of their homes and off their porches to join until the party swells the sidewalks, gaining momentum block by block. 
            The second-line evolved from the jazz funeral, where the band leads the funeral party and deceased to the graveyard.  They play dirges, but also upbeat spirituals, and the family dances, shaking white cloths in the air, some say to keep the spirit of the dead from attaching itself to the living.  More simply, New Orleanians respect the dead by celebrating life.  2nd lines are celebrations of life without funereal ceremony.  They happen every Sunday from September to June, put on by Social Aid and Pleasure Clubs operating in primarily African-American neighborhoods.  They are funky and fast and open to everyone, an expression of community in the Crescent City, but even they too respect the dead and slow the parade to play a dirge somewhere along the 4-hour route.  
             
             Many people wondered if there would be a second-line the week after the shooting.  There were four. The morning began with a less traditional bicycle second-line that I followed, with another near-thousand bikers, to the Backstreet Cultural Museum in the Treme then abandoned to find the start of the Divine Ladies in Uptown. 
            A mass of people gathered on St. Charles and Washington and barbecue smoke pilfered the corridor of live oak branches shading us.  A truck played bounce music and the streetcar rang its bell to let people off.  A sousaphone player tuned his instrument on the corner.
            A local reporter, Meg Gatto, interviewed me, asking me in a few different ways if I felt safe, and digging at the same question that went national after the shooting, trying to figure out what defines New Orleans culture, and is the violence inextricable from the way we celebrate life.  
            “The culture here we’re celebrating is one of peace and community and life,” I told her, “and the culture of violence is one we’re trying to discourage.  They’re two separate things.  I second-line a lot, and I always feel safe doing it.”


The Divine Ladies Social Aid and Pleasure Club

            A double-decker City Sight-Seeing bus pulled up.  On top the Stooges Brass Band hung their horns over the rails and showered notes at the shifting crowd, as if their trumpets were magnets gathering the people in, and the Divine Ladies, behind them, waved their fans and danced.  They all filed off the bus.  The tuba player left the corner and the barbecue trucks got ready to move.  The first line marched on, and the second-line, us, followed, everyone dancing.  We might never predict the next storm or gunshot, but the second-line, like a sunrise, we could count on.  It was Sunday and it was going to happen, and like another lady interviewed said, "We ain't never going to stop!" 
            The next week Money Wasters began their annual 2nd line in the parking lot of Charbonnet-Labat-Glapion Funeral Home, where the jazz funeral for famous musician Uncle Lionel Baptiste began almost a year ago, his brown oak coffin being led out slowly to “Take a Close Walk with Thee.”  This time, the honored party emerged from the home wearing salmon-orange suits and waving ostrich-feather fans, unaccompanied by the dead, and To Be Continued Brass Band (TBC) lead the rest of us.  We rounded the corner where three black men on horseback waited in Tuba Fats Square, a gun-free peace-zone on a vacant lot and house weathered by neglect, but celebrating the home of another famous and passed musician.  We went by the Candlelight and a mural of Uncle Lionel with his bass drum looked out at us.  The horses followed.  Under the Claiborne Overpass, TBC, slowed down and played the first few notes of “Take a Closer Walk with Thee,” but it was a fake start, and they immediately switched tempos in music and pace, bringing the funk back and marching quickly under the highway and up Orleans. An older man in a white tee and army hat followed holding a beer bottle and a white sign, "Thou Shalt Not Kill," -God.
The Money Wasters Social Aid and Pleasure Club

            The next Saturday I was scheduled to fly out of New Orleans for the summer to travel, but the Original Big 7 had rescheduled their Mother’s Day second-line to run the same route before the shooting disbanded it three weeks earlier.  They changed nothing about the route sheet, except the date, and even excluding the common request, "Keep your guns at home." 
           But nobody worried.  A swarm of people gathered on Elysian Fields Avenue, and food and drink vendors set up on the neutral ground between pink crate myrtles and an Oleander Bush, a beautiful but toxic shrub. Q93.3 gave out hand-fans with a printed message, “stop the violence.”   The Big 7 came out of a green cottage home with orange and gold-trimmed shutters.  An old, weathered live oak tree shaded the yard, its branches extending across three lanes and into the neutral round, where Bittles Wit’ the Vittles BBQ truck sent meaty plumes of smoke skyward. 
            We marched around the block to “I Got That Fire,” and soon turned on Villere Street towards the intersection of the shooting. 
            The setting was again familiar, colorful cottages offset by vacant lots, abandoned since Katrina or another storm.  In a lot next to the intersection, a set of wet clothes dried in the weeds.  A backyard lined with sunflowers fenced in a trampoline and a plastic kiddie-pool, next to a rotting yellow shotgun-home being strangled from the top-down by vines.
            At Frenchmen and Villere, One Mind Brass Band stopped and began to play the popular spiritual, “I’ll Fly Away,” then moved quickly to make room for TBC Brass Band.  I expected a dirge, something slow to remember the victims, but no one had died in the shooting—they remained with the living—and this is a city that celebrates its living and dead the same, by celebrating life itself, by dancing to keep bad juju from attaching to us, to feel alive and show off just alive we really are, no matter how many hurricanes and bullets strike out.
            TBC did not play a dirge; they did not even fake its start, but instead stopped at the intersection to play “We’re Everyday People” by Sly and the Family Stone adapted for brass funk.  They played for a hard minute, singing the chorus between blasts of trumpets and cowbells, then as quickly as they came, they marched on. 
            Behind us was a third line—a chorus of red and blue police lights from six patrol cars.  More cops walked with us, and at the next corner an officer lifted his orange vest to show the pools of sweat collecting in his uniform.
            At Henriette Delille Street the 2nd line turned.  I let it go.  I had to fly out soon.  After the red-and-blue tails of the parade passed me, I walked back along Frenchmen Street.  Again, I noted the “Welcome” flags, the beautiful yellow house of Julius, and the vacant lots and homes of his neighbors who never came back, the unturned property sitting like visible ghosts of Katrina, and I knew the violence of man would never stop the 2nd-lines, but the only thing that would return this city to nature would be nature itself, but even then…. even then, it is easy to imagine that if only a 100 people in a 100 homes remained, somewhere on a Sunday afternoon would be men and children with horns, and behind them an audience, a 2nd line, dancing, celebrating every living moment, all the way down the line.   
            
The Bayou Boogaloo Bicycle 2nd-Line


TBC Brass Band at Charbonnet-Laban-Glapion Funeral Home for the Money Wasters
Social Aid and Pleasure Club 2nd-line

Money Wasters